…The musicians give good value, although nothing in Stephen Warbeck’s score equals the fascinating opening moments when Zi Lan Liao gives a swirling solo on her Cheng. This exotic instrument can be described as a harp stretched into an oblong and laid flat on a board curved like an upturned miniature punt. She sweeps her fingers over the strings as though repelling the surface of a cattle trough, and high clear notes come twinkling from it.
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